![]() As you turn it, you apply increasing amounts of either boost or attenuation, depending on whether that band is switched to 'boost' or 'cut' mode. One design feature that is accurately replicated is that the 'zero' point for each band's gain knob is always fully counter-clockwise. If you're accustomed to a more conventional EQ design and interface, the Passive EQ takes a bit of getting used to. Unlike UA, NI haven't chosen to emulate the alternative Mastering version of the Massive Passive, with its stepped gain ranges, but they have added an M/S matrix, which can be useful in mastering contexts. As the name suggests, the Massive Passive uses no active components in its EQ circuitry any level lost in equalisation is restored using a tube make-up gain amplifier.Īs far as I know, the only existing plug-in version of the Massive Passive is Universal Audio's officially licensed emulation for their UAD platform, so the availability of a faithful copy in native form will be welcome news for many - though not, presumably, for Manley or UA. This permits a variety of strange but effective Pultec-like configurations involving overlapping frequency bands and so on. Any or all of these can be set to shelving mode as well as 'bell' or quasi-parametric mode, and the Bandwidth control is active in both. The most elaborate of them is Passive EQ, which is obviously intended to replicate Manley's celebrated Massive Passive equaliser: an interesting design which, as well as high- and low-pass filters, features four main EQ bands with stepped frequency controls. Instead, all three plug-ins can be called up directly in any VST, AU, RTAS or AAX host, and the bundle uses NI's standard Web-based authorisation system.Īlthough the visual layout and colour scheme of the Premium Tube Series plug-ins recalls the original hardware, NI and Softube have avoided any attempt at photo-realism, and the user interfaces are surprisingly plain by today's standards. Unlike most NI plug-ins, though, the Premium Tube Series was developed out-of-house by Softube and, perhaps as a consequence, it dispenses with the need to use NI's Guitar Rig Player as a 'shell' plug-in. The new Premium Tube Series falls into the latter category, containing two equalisers and a compressor that are, in all but name, modelled after well-known hardware processors from Manley. ![]() Check R2R.txt for further information.Native Instruments have teamed up with Softube to model three pieces of highly regarded valve outboard gear.Īs well as instruments that run natively, the Native Instruments product range also includes quite a few effects and processing plug-ins, from original products like The Mouth and The Finger, to emulations of classic gear. ![]() However, we included the tool to install the update without that. This release is update and requires previous versions installed. NOTE AAX Plugin is patched : You need cracked AAX Host to use. Fixed Demo-End-Screen partly being hidden and blocking the host. Fixed Service Center warning about missing standalone version. Fixed parameter change range during mouse drag. Fixed clickable area size for A/B preset switch. Fixed Vari Comp Side Chain Button GUI rendering issue. Fixed Vari Comp VU-meter not working accurately. Added mouse pointer hiding when changing a parameter. Added 64-Bit AAX support for ProTools 11. Vari Comp FX 1.1: - Advanced integration in Maschine 2.0 host software. Highly usable and full of rich, natural sound, VARI COMP delivers the warmth and presence of top-of-the-line tube-powered hardware. Modeled on the sound of boutique high-end studio gear, this first-ever software emulation adds high-pass sidechaining and parallel compression – all while running as a stand-alone plug-in inside your DAW. Team R2R | | 90.65 MB VARI COMP is an all-purpose, easy-to-use, two-channel compressor with breathtakingly transparent sound.
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